Category 1

NFL set to begin hiring and training replacement officials, AP sources say

PHOENIX (AP) — TheNFLis moving forward with plans to begin hiring and training replacement officials in the next several weeks because negotiations with the referees' union have been unsuccessful, two people with knowledge of the discussions told The Associated Press.

Associated Press

Both people spoke on condition of anonymity Sunday because the conversations are private.

The league and the NFL Referees Association have been negotiating a new collective bargaining agreement since the summer of 2024. The current CBAexpires on May 31.

The NFL has increased its offer to a 6.45% annual growth rate in compensation over a six-year labor deal, but the NFLRA wants 10% plus $2.5 million for marketing fees, the people said.

NFLRA executive director Scott Green told The Associated Press on Monday: "those numbers are not accurate." He said negotiations with the league are similar to 2012 when a stalemate resulted in a 110-day lockout and replacement referees were used.

The league wants compensation tied to performance so that only high-performing game officials during the regular season share in the year-end bonus pool.

The league is also seeking greater flexibility to ensure the best officials are on the field during the postseason. The current CBA includes seniority as a factor in making postseason assignments.

Shortening the "dark period" is also a priority for the NFL. Currently, the league has no communication with game officials during the roughly three-month stretch between the Super Bowl and May 15. The goal is to increase access to game officials for rules discussions, video review, mechanics and appropriate football operations and committee meetings in order to improve the game and officials' performance.

Advertisement

The NFL is offering to hire some full-time officials, but one of the people said the union is resisting and is asking for "full-time pay and part-time hours."

Green told the AP the 2012 and 2019 CBA agreements included provisions that would allow some officials to serve in full-time roles. He said the league experimented with this in 2017, 2019 and 2020.

"Each program ended because of their inability to manage it," Green said.

In a statement, Green said:

"Apparently 'League sources' are continuing to put out false and misleading information instead of wanting to meet at the negotiating table. The bottom line is our officials work for the wealthiest sports league in America, with profits that far exceed any of the others. That's normally a point of pride for the NFL. However, our officials are substantially under-compensated when compared to baseball and basketball umpires and referees. Our officials also aren't provided the health care benefits that those at 345 Park Avenue have. As far as performance pay, we had 'high performing officials' who worked this year's championship games and the Super Bowl who were paid less for those games than what they were paid for a regular-season game. That certainly isn't rewarding performance, as the NFL claims is their goal."

In preparation for potential use of replacement officials, the NFL competition committee has proposed a contingency that would allow the replay center in New York to advise the on-field officials on any missed roughing the passer or intentional grounding penalty, as well as any act that would have led to an ejection had a penalty been called. NFL owners will vote on the proposal this week at theannual meeting.

The NFL used replacement officials for the first three weeks of the 2012 season and resulted in several mistakes and wrong calls, including the disputed TD catch known as the "Fail Mary."

AP NFL:https://apnews.com/hub/nfl

NFL set to begin hiring and training replacement officials, AP sources say

PHOENIX (AP) — TheNFLis moving forward with plans to begin hiring and training replacement officials in the next several...
UConn's thrilling buzzer-beater, seen from 10 different camera angles

For every iconic moment we see on television during March Madness, there are many other captivating subplots going on at the same time.

USA TODAY Sports

Weaving them all together is what makes the best in the TV production business so great at what they do.

During CBS's coverage ofUConn's improbable 73-72 comeback win over Dukein the Elite Eight, Braylon Mullins' 35-footer to beat the buzzer was obviously the focal point. But the network's camera operators also had to be ready for the reaction shots.

Shortly after the game ended, the NCAA released its own "sizzle reel" with10 different angles of the key game-ending sequenceand its aftermath that wonderfully captures the wide range of emotions.

Advertisement

One angle that didn't make the cut there was a reaction shot of CBS announcers Bill Raftery and Grant Hill as they joined play-by-play man Ian Eagle on the call.

It certainly was a magical moment for UConn. And abitter defeat (once again)for Duke.

It's just another reason why we can't get enough of March Madness.

<p style=North Carolina Tar Heels center Henri Veesaar reacts after losing to the VCU Rams in overtime of a first round game of the men's 2026 NCAA Tournament at Bon Secours Wellness Arena on March 19, 2026 in Greenville, SC.

" style="max-width:100%; height:auto; border-radius:6px; margin:10px 0;" loading="lazy" /> Brendan Coyle #21 of the Siena Saints reacts after the game against the Duke Blue Devils in the first round of the 2026 NCAA Men's Basketball Tournament at Bon Secours Wellness Arena on March 19, 2026 in Greenville, SC. The Duke Blue Devils defeated the Siena Saints 71-65. Head coach Kelvin Sampson of the Houston Cougars shakes hands with members of the Idaho Vandals following the first round game of the 2026 NCAA Men's Basketball Tournament at Paycom Center on March 19, 2026, in Oklahoma City, Oklahoma. <p style=McNeese Cowboys guard Tyshawn Archie (8) walks off the court after losing to the Vanderbilt Commodores during a first round game of the men's 2026 NCAA Tournament at Paycom Centeron March 19, 2026 in Oklahoma City.

" style="max-width:100%; height:auto; border-radius:6px; margin:10px 0;" loading="lazy" /> Riley Saunders #13 and Andy Stefonowicz #5 of the North Dakota State Bison high five after being defeated by the Michigan State Spartans in the first round of the 2026 NCAA Men's Basketball Tournament at KeyBank Center on March 19, 2026 in Buffalo, New York. <p style=Wisconsin Badgers guard Braeden Carrington (0) and guard John Blackwell (25) react during the second half of a first round game of the men's 2026 NCAA Tournament against the High Point Panthers at Moda Center on March 19, 2026 in Portland, Or.

" style="max-width:100%; height:auto; border-radius:6px; margin:10px 0;" loading="lazy" /> <p style=Thomas Dowd of the Troy Trojans reacts after coming out of the game against the Nebraska Cornhuskers during the second half in the first round of the 2026 NCAA Men's Basketball Tournament at Paycom Center on March 19, 2026 in Oklahoma City, Okla.

" style="max-width:100%; height:auto; border-radius:6px; margin:10px 0;" loading="lazy" /> Ohio State Buckeyes forward Amare Bynum (1) and Ohio State Buckeyes forward Brandon Noel (14) react after losing to Texas Christian University Horned Frogs during a first round game of the men's 2026 NCAA Tournament at Bon Secours Wellness Arena on March 19, 2026 in Greenville, SC. Texas Christian University Horned Frogs forward Xavier Edmonds (24) reacts after defeating the Ohio State Buckeyes during a first round game of the men's 2026 NCAA Tournament at Bon Secours Wellness Arena on March 19, 2026 in Greenville, SC. Lehigh Mountain Hawks huddle together after being defeated by the Prairie View A&M Panthers during a first four game of the men's 2026 NCAA Tournament at University of Dayton Arena on March 18, 2026. SMU Mustangs guard Boopie Miller (2) and SMU Mustangs center Jaden Toombs (10) leave the court after being defeated by the Miami (OH) RedHawks during a first four game of the men's 2026 NCAA Tournament at University of Dayton Arena on March 18, 2026. Trevon Blassingame #1 and Seth Joba #21 of the Idaho Vandals react after the defeat against the Houston Cougars in the first round of the 2026 NCAA Men's Basketball Tournament at Paycom Center on March 19, 2026, in Oklahoma City, Oklahoma.

March Sadness hits hard in the NCAA Men's Basketball Tournament

North Carolina Tar Heels center Henri Veesaar reacts after losing to the VCU Rams in overtime of a first round game of the men's2026 NCAA Tournamentat Bon Secours Wellness Arena on March 19, 2026 in Greenville, SC.

The USA TODAY app gets you to the heart of the news — fast.Download for award-winning coverage, crosswords, audio storytelling, the eNewspaper and more.

This article originally appeared on USA TODAY:See UConn-Duke finish from 10 different camera angles

UConn's thrilling buzzer-beater, seen from 10 different camera angles

For every iconic moment we see on television during March Madness, there are many other captivating subplots going on at...
How many of these 20 one-hit wonders from the '90s do you still remember?

One-hit wonders occupy a unique and emotional place in our collective memory, transporting us to a specific time and era of popular music. You may have never learned the artists' names or followed them on tour—these weren't necessarily singers and bands that released hit after hit—but you suddenly find yourself singing every word even if you haven't heard the song in years.

Stacker Meredith Brooks posing with her guitar in 1997. -

One-hit wonders of the 1990s

The 1990s was a particularly fertile time for one-hit wonders across genres—including the lovesick ballad of Sinéad O'Connor's "Nothing Compares 2 U" or the infectious horns of "Mambo No. 5" by Lou Bega, whichnearly led to Stephen King's divorce, as the horror author once revealed.

The '90s were a more volatile period in music than people may realize or remember. From the sudden lightning of grunge that all but extinguished the dominance of '80s hair metal to the rise of hip-hop and rap, which inextricably found their way into mainstream radio, popular music looked very different at the dawn of the millennium than it did at the beginning of the decade. And along the way, a wide array of one-and-done hits dominated airwaves and still find heavy rotation on today's radio stations and curated playlists. No matter where or how you hear these songs, their staying power continues to impress.

To revisit some of the greatest flash-in-the-pan hits of the decade,Stackercompiled a list of one-hit wonders from the 1990s usingBillboardchart data and music industry news from the time. Don't miss ourSpotify playlistfeaturing the forthcoming tracks.

Sinead O'Connor performing on stage.  -

'Nothing Compares 2 U' by Sinéad O'Connor

- Released: 1990- US Billboard Hot 100: #1

"Nothing Compares 2 U" was initially written and composed by Prince and released on his 1985 eponymous debut album. It wasn't until 1990 that it skyrocketed to popularity when Irish singer Sinéad O'Connor recorded a version of the song for her second studio album, "I Do Not Want What I Haven't Got." O'Connor went on to have a successful music career across three decades. After retiring in 2021, she died in 2023. Along with the rest of O'Connor's work, "Nothing Compares 2 U" lives on, including in a memorable performance by Miley Cyrus and Brittany Howardpaying homage to the artistduring the 50th anniversary special for "Saturday Night Live" in February 2025. Months later, in August 2025, news broke that abiopic covering O'Connor's lifeis underway.

Vanilla Ice performs on stage. -

'Ice Ice Baby' by Vanilla Ice

- Released: 1990- US Billboard Hot 100: #1

Released in 1990, "Ice Ice Baby" was the first hip-hop single to reach the U.S. Billboard Hot 100. While some credit it with helping to bring hip hop to a mainstream audience, it ignited some controversy due to the bass line sampled from Queen and David Bowie's "Under Pressure" without permission. Queen and Bowie threatened a copyright infringement claim that was eventually settled out of court.

Tom Cochrane standing with arms spread. -

'Life Is a Highway' by Tom Cochrane

- Released: 1991- US Billboard Hot 100: #7

"Life is a Highway" reached #7 on the U.S. Billboard Hot 100, but was a #1 hit in Cochrane's native Canada. Rascal Flatts later covered the song for the 2005 "Cars" movie soundtrack; their version also peaked at #7 on the Billboard Hot 100. Cochrane continues to tour and perform in Canada. In September 2024, he was inducted into theCanadian Songwriters Hall of Fame.

Sir Mix-A-Lot performing. -

'Baby Got Back' by Sir Mix-A-Lot

- Released: 1992- US Billboard Hot 100: #1

Sir Mix-a-Lot was inspired to write "Baby Got Back" both by the lack of representation of full-figured women in media and having witnessed the struggles his model girlfriend Amylia Dorsey faced trying to find work in the modeling world. The song initially caused controversy with its blatantly sexual lyrics about women — MTV even banned its music video at one point. However, it became the second bestselling song in the U.S. in 1992 and is considered one of the greatest hip-hop songs of all time. Meanwhile, Sir Mix-a-Lot continues to perform, and in June 2025, his 1996 deep cut "Bark Like You Want It"went viral on TikTok, sparking a wave of lip dubs and memes.

House of Pain permorming live. -

'Jump Around' by House of Pain

- Released: 1992- US Billboard Hot 100: #3

"Jump Around," produced by Cypress Hill's DJ Muggs, was originally offered to Ice Cube, who refused it. Three-piece House of Pain later picked up the song, which became an international hit, charting in Canada, Ireland, the Netherlands, the United Kingdom, Belgium, Sweden, Australia, and New Zealand. House of Pain went on to release three albums in the 1990s before its members went their separate ways, but the song has remained famous for its use in sporting events.

Haddaway performing live on a stage. -

'What Is Love' by Haddaway

- Released: 1993- US Billboard Hot 100: #11

Written by German pop composer Dee Dee Halligan and his partner and wife Karin van Haaren (also known as Junior Torello), "What Is Love" became a #1 hit song in at least 13 countries, which boded well for Haddaway, a Trinidadian-German Eurodance artist, who made his debut with the song. He released a second album, "The Drive," that charted in 1995, but his following albums failed to chart. While most people know Haddaway for his most famous song, used memorably in a "Saturday Night Live" sketch and the subsequent film "A Night at the Roxbury," he has continued torelease new music, most recently in February 2026.

The Proclaimers performing on stage outside. -

'I'm Gonna Be (500 Miles)' by The Proclaimers

- Released: 1993- US Billboard Hot 100: #3

This song was originally released in 1988 on the Proclaimers' album Sunshine on Leith. Still, it was not until the song was featured in the Johnny Depp romantic comedy Benny & Joon that it rose to mainstream popularity. The song was truly a one-hit wonder—singer Craig Reid said that its earnings are aboutfive times the rest of their catalog combined. The Proclaimers continue to have a successful touring career.

Ini Kamoze performs live on stage. -

'Here Comes the Hotstepper' by Ini Kamoze

- Released: 1994- US Billboard Hot 100: #1

When "Here Comes the Hotstepper" rose to popularity in the early 1990s, Jamaican artist Ini Kamoze was 37 years old, and his career was nearly over. But the song's infectious "naaaana na nanaaaa..." chorus and lyrics that it takes multiple listens to puzzle out catapulted him to unexpected fame. He went on to release four albums, write a play called "Runnings," and a book about the history of Port Royal in Jamaica.

Rednex band performing on stage. -

'Cotton Eye Joe' by Rednex

- Released: 1994- US Billboard Hot 100: #25

Based on the traditional American folk song "Cotton-Eyed Joe," Rednex, a Swedish group inspired by American hillbilly stereotypes, combined American country music with modern Eurodance. While some people were offended by the stereotypes of people living in the American South, the song became a #1 hit in at least 11 countries. "Cotton Eye Joe" went viral again in 2024, breakingYouTube viewing records.

Deep Blue Something performing on stage. -

'Breakfast at Tiffany's' by Deep Blue Something

- Released: 1995- US Billboard Hot 100: #5

Advertisement

Inspired not by Blake Edwards' "Breakfast at Tiffany's" but another Audrey Hepburn film—1953's "Roman Holiday"—this Deep Blue Something pop gem peaked at #5 on the U.S. Billboard Hot 100. After failing to have much commercial success following the song, Deep Blue Something went on a creative hiatus for several years. Still, it regrouped at the end of 2014, signing onto an independent label. In June 2025, the bandreleased the new album"Lunar Phase," their first full-length release in over 20 years.

Los Del Rio's Raphael Ruiz and Antonio Romero stand with a dancer. -

'Macarena' by Los Del Rio

- Released: 1995- US Billboard Hot 100: #1

This song about a woman named Macarena by Spanish Latin pop and dance duo Los Del Rio spent 14 weeks as Billboard's #1, the second most of any song in the 1990s. It gained popularity in the United States around the time of the 1996 Democratic National Convention whenC-SPAN filmed attendeesawkwardly dancing to the song in an afternoon session. The song continues to be one of the most recognizable of all time.

Yukmouth and Numskull of Luniz perform on an outdoor stage. -

'I Got 5 on It' by Luniz featuring Michael Marshall

- Released: 1995- US Billboard Hot 100: #8

"I Got 5 on It" is a single from Luniz's debut album, "Operation Stackola." It was widely considered a San Francisco-area pot-smoking anthem, but it took on a new life as a creepy horror track after it was used prominently in Jordan Peele's 2018 film "Us."

Portrait of the members of Danish Pop group Aqua. -

'Barbie Girl' by Aqua

- Released: 1997- US Billboard Hot 100: #7

After Danish musician Soren Rasted saw an exhibit on kitsch culture in Denmark that featured Barbie dolls, he went home and wrote "Barbie Girl." It ended up being the biggest song of his career and one of the most famous songs in the world. With a tempo of 130 beats per minute, it has proven to be a lasting club hit. The song is, in fact, about Barbie and Ken, and Mattel filed a lawsuit against the band, which was later dismissed. In his ruling, the judge who ruled on the lawsuit said, "The parties are advised to chill."

Meredith Brooks performs on stage. -

'B*tch' by Meredith Brooks

- Released: 1997- US Billboard Hot 100: #2

Meredith Brooks and songwriter Shelly Peiken wrote "B*tch" in a single day, after a period of malaise Brooks was feeling about her stalling music career. She turned that frustration into gold; the pop-rock staple charted for 35 weeks, revamping Brooks' career. Though initially thought by the label to be too lyrically explicit, the song is considered a feminist anthem about the multitudes women contain.

Chumbawamba performs live on stage. -

'Tubthumping' by Chumbawamba

- Released: 1997- US Billboard Hot 100: #6

In the mid-90s, Chumbawamba wasn't in a good place. They had been together for 15 years and were feeling aimless. But "Tubthumping" changed all of that, injecting much-needed, long-awaited mainstream success into the mix. The song topped the charts in Australia, Canada, Ireland, Italy, and New Zealand and hit #6 in the U.S. They coasted on the success of the song for a while, releasing some new music and making a documentary. After 30 years together, the group split up in 2012. "Tubthumping," meanwhile, remains one of the most emblematic songs of its era.

Richard Ashcroft of The Verve, with Peter Salisbury and Simon Jones behind, performing. -

'Bitter Sweet Symphony' by The Verve

- Released: 1998- US Billboard Hot 100: #12

Sometimes, a hit song comes with some hiccups. The Verve's "Bitter Sweet Symphony" is based on a sample from a 1965 version of The Rolling Stones' "The Last Time." The group sought permission to use the song but was denied. They used it anyway and were forced to give up their royalties after the Stones filed a lawsuit. The story doesn't end there, however.

Following the death of Allen Klein, longtime Stones' manager and owner of the label that released many of the Stones' early records, Mick Jagger ceded the rights back to the Verve. The song remains a radio and stadium mainstay and is considered to be one of the greatest Britpop-era tracks of all time.

Portrait of Harvey Danger group. -

'Flagpole Sitta' by Harvey Danger

- Released: 1998- US Billboard Hot 100: #38

The group of University of Washington journalism students that became Harvey Danger in 1992 quickly gained local popularity, but it wasn't until a Seattle radio station put "Flagpole Sitta" into the rotation that the band really took off. The song served as a kind of demarcation point where the post-grunge, power-pop era ushered in the mainstream pop-punk era. Harvey Danger recorded a couple more albums before playing their final show in 2009 in Seattle.

Semisonic performing on stage. -

'Closing Time' by Semisonic

- Released: 1998- US Billboard Hot 100: #11

Still employed by bars everywhere in an attempt to get their last customers to leave, "Closing Time" was actually written for Semisonic to close their concerts. The song charted in 1999 and then again in 2011 after being featured on the TV show "The Office" and the film "Friends with Benefits." The band released its last album, "All About Chemistry," in 2001 and took a nearly two-decade hiatus before reuniting for the "You're Not Alone" EP in 2020. Semisonic's last full-length album, "Little Bit of Sun," was released in November 2023.

Rock band Lit poses for a portrait. -

'My Own Worst Enemy' by Lit

- Released: 1999- US Billboard Hot 100: #51

Lit guitarist Jeremy Popoff wrote "My Own Worst Enemy" about his many mistakes (including a run-in with the law over public nudity). He even recorded the song in the studio sans clothes. But what wasn't a mistake was writing this song, an alternative rock song that became a mainstream success for Popoff's ability to spin self-deprecation into gold. The band has released five albums since "Enemy" charted, and toured with fellow '90s mainstays Bowling for Soup in 2024.

Lou Bega posing on stage with dancers. -

'Mambo No. 5' by Lou Bega

- Released: 1999- US Billboard Hot 100: #3

Originally written and recorded in 1949 by Cuban musician Dámaso Pérez Prado, it was later recorded by German singer Lou Bega for his 1999 album "A Little Bit of Mambo." Its unmistakable synths and infectious melody have made it a multigenerational favorite that DJs are guaranteed to play at many weddings. Bega has continued sharing new insights on "Mambo No. 5" today, revealing in an April 2025 conversation with Unilad that he sampled a 1949 track from Cuban artist Dámaso Pérez Prado when writing the song. While he has never since reached the heights of "Mambo," Bega has released a few albums since, including 2021's "90s Cruiser."

More nostalgic music stories from the '90s and beyond

How many of these 20 one-hit wonders from the '90s do you still remember?

One-hit wonders occupy a unique and emotional place in our collective memory, transporting us to a specific time and era...
Working In Hollywood Convinced Me I Had to be Likeable

You get into TV writing because you have things to say. You have a voice.

Harper's Bazaar iconic hollywood sign on a hillside

In theory, you know that voice is valuable if it lands you a staff writing job, a prize that grows more competitive every year. The entertainment industry is in free fall, as constantly merging companies slash spending to increase shareholder profit. A recent WGA report showed that there were 1,819 TV writing jobs in the 2023–24 season, compared to 3,011 in 2018–19.

But even if you do snag one of those rare jobs, it lasts for just a few months before you're on the hunt again. Your agents say they're doing everything they can, but just so you know, there's one show staffing right now, and it's gotten 400 submissions for two spots. There's nothing for you to do but crank out more writing samples to prove you're good enough to do the job you've already been doing for five or 10 or 20 years.

In meetings, producers and execs ask "what you're really excited about lately." The truth, which you are not allowed to say, is that what you're really excited about is whateverthey'rereally excited about, because actually you're really,reallyexcited about accruing enough earnings to continue qualifying for your guild-covered health insurance. In fact, you're excited to the point that a better word would bedesperate,but you must disguise this with fake confidence if you don't want to disgust them.

So you become an expert at figuring out what people want before they tell you and presenting that as what you want. In other words, you lie.

Tina Fey was lauded for declaring, "Authenticity is dangerous and expensive"onLas Culturistasin 2024, but I'd already fully internalized that lesson. Years earlier, when Fey herself concluded our hour-long staffing meeting with "Nice to meet you, Hannah," I didn't even consider correcting her. I wouldn't dream of causing friction or being difficult by having the wrong name. I was just happy to be there! (I didn't get the job.)

Fey's authenticity comment was a joke, sort of, but it's one that speaks to the culture of fear that pervades a painfully contracting industry in a country under fascist leadership.

I didn't realize the full effect this culture had on me until I took a break to write a novel. I'd temporarily moved across the country to live in my husband's childhood bedroom while he finished graduate school. It wasn't like I had any professional reasons to stick around L.A. My novel was about a TV writer, and as I drew on my own experiences to inform hers, it struck me anew how pathetic they were. I'd been in some incredibly warm, collaborative rooms, but I'd also been in one where the second a certain writer left the room, the rest of us spent his entire bathroom break viciously mocking his harmless habit of chewing ice. On another job, a text thread including everyone but one writer was devoted solely to making fun of her pitches and personal stories. To feel secure in a job this precarious, you must always ensure that someone else is lower in the pecking order.

Advertisement

I've said, "Oh, I love that show" about a show I hate, in case the person I'm talking to knows someone who worked on it. I've sat in a room full of hungry adults for two hours, too afraid to point out to the showrunner that lunch was waiting outside the glass door of the writers' room, because no one wanted to be the first person to suggest taking a break.

Away from my Hollywood environment for the first time in a decade, I started to notice the ways it had shaped me even outside of work. I realized I didn't trust my friends when they expressed their affection or complimented me. If I was so willing to lie all the time, why would any of the nice things other people said to me be true?

Meanwhile, I had a hard time advocating for any needs of my own. I had learned from the industry that I was utterly replaceable. If I dared to complain that a friend's flakiness or offhand comment had hurt my feelings, I could simply be swapped out for someone younger, greener, and more in touch with authentic Gen Z slang.

This mindset can have more serious consequences too. In late 2023, writers I knew started losing their agents and managers for posting online in protest of the genocide in Gaza. I told myself I wasn't posting anything because I didn't post on X anymore—whose mind could I possibly change in my little echo chamber of woke comedians?—not because I was afraid of getting dropped by my own reps. But I couldn't deny this final piece of evidence: I'd gotten so obsessed with appearing cooperative, grateful, and compliant that, on both personal and political levels, I officially stood for nothing.

As I began drafting my novel and creative instincts popped up that made me laugh (what if this chapter were entirely made up of scheduling emails from agency assistants? What if my protagonist clogged a series of toilets throughout the book?), I waited to be shot down before I remembered that no one was standing over my shoulder to give me notes. If I liked it, it went in the book. Slowly, I learned to take price in my own voice again. I was proving to myself, page after page, that I wasn't replaceable. No one else could write the exact story I had to tell. My depiction of Hollywood might piss people off, but that was a far lesser risk than continuing to constantly censor myself to curry favor with anyone and everyone.

As I write this essay, there's more pressure every day on artists to sand down the edges of our work. To pitch TV shows dumb enough that people can watch them while playing Block Blastandfolding their laundry. And sooner or later, to protect our own careers by capitulating to the fickle demands of an authoritarian regime.

Sure, authenticity is dangerous and expensive. But without it, we have nothing.

You Might Also Like

Working In Hollywood Convinced Me I Had to be Likeable

You get into TV writing because you have things to say. You have a voice. In theory, you know that voice is ...
Hyo Joo Kim tops Nelly Korda again and wins on LPGA for 2nd straight week

PHOENIX (AP) — Hyo Joo Kim beat Nelly Korda for the second straight week, pulling away around the turn Sunday and closing with a 3-under 69 for a two-shot victory in the Ford Championship.

Associated Press Hyo Joo Kim, of South Korea, hits her tee shot at the third hole during the final round of the LPGA Ford Championship golf tournament, Sunday, March 29, 2026, in Chandler, Ariz. (AP Photo/Ross D. Franklin) Hyo Joo Kim, of South Korea, hits a fairway shot on the second hole during the final round of the LPGA Ford Championship golf tournament, Sunday, March 29, 2026, in Chandler, Ariz. (AP Photo/Ross D. Franklin) Nelly Korda waves to the crowd after making an eagle on the second hole during the final round of the LPGA Ford Championship golf tournament, Sunday, March 29, 2026, in Chandler, Ariz. (AP Photo/Ross D. Franklin)

LPGA Ford Championship Golf

Kim was poised to break the LPGA Tour's scoring record for 72 holes until one mistake led to a double bogey on the eighth hole and gave Korda hope.

Korda, who trailed by four at the start of the final round, suddenly was only one shot behind. But the American missed a short par putt on the ninth, and that was followed by a two-shot swing on the 10th — Kim hit her approach to 18 inches for birdie, and Korda failed to get up-and-down for par.

Korda never got any closer until the tournament was out of reach, finishing eagle-birdie for a 67.

Kim, who also won the Ford Championship last year, now has back-to-back wins for the first time in her career, both against Korda. Last week in the Founders Cup, the 30-year-old South Korean held off a Sunday charge by Korda.

"I wanted to ask Nelly how it feels to win back-to-back," Kim said with a laugh, referring to Korda winning five straight starts during the 2024 season.

Kim finished at 28-under 260. With three early birdies — and a week in which she twice had posted rounds of 61 — it looked as though she could break the LPGA scoring record of 257 set by Sei Young Kim at the 2017 Thornberry Creek LPGA Classic.

Those hopes took a hit on the par-4 eighth hole, when Kim pulled her tee shot. She tried to punch a hybrid under tree branches, but it ran hot on the sunbaked fairway, through the crusty green and didn't stop rolling until it went down a slope and into the desert scrub.

Advertisement

That led to double bogey. Kim twice missed 5-foot birdie chances, and she also had a three-putt bogey on the 16th.

But the putting issues belonged to Korda, who missed a 2-foot par putt on the 15th — her second short miss of the round — that all but ended it.

"Where it went wrong? There's a couple shots here and there that I would like to get back, more like a couple putts throughout the week," Korda said. "I'm going to miss a bunch of those putts throughout my entire career, and I just can't get down on myself."

Korda has won and twice been runner-up in three starts on the LPGA this year. It was the lowest she has been under par (26 under) in her LPGA career. She just ran into one of the hottest players in women's golf.

"I'm done playing with her," Korda said, jokingly. This was the fifth straight time they were in the same group, and Korda has had a good view of remarkable play, particularly Kim's putting.

"Hyo Joo has been playing amazing golf," Korda said. "She a phenomenal player, and person. She definitely motivates me on the golf course."

Minami Katsu of Japan shot 65 to finish alone in third. Lydia Ko, who began the tournament with a 60, wound up in fourth, eight shots behind.

AP golf:https://apnews.com/hub/golf

Hyo Joo Kim tops Nelly Korda again and wins on LPGA for 2nd straight week

PHOENIX (AP) — Hyo Joo Kim beat Nelly Korda for the second straight week, pulling away around the turn Sunday and closin...

 

ANIO AMAG © 2015 | Distributed By My Blogger Themes | Designed By Templateism.com